Live-music research & artist management

Know where to play next.

Suleo Labs keeps a record of where artists like yours have played, with a source behind each listing, and shows you the rooms you haven’t got to yet.

Try it on a real artist Is my artist in here?

The problem

Booking decisions get made on |thin information.|

Usually it’s a hunch, a group chat and a spreadsheet of old tour dates. This is what the same decision looks like when you can see the record.

One artist

Jerro has played 68 markets.

That’s 208 listings, and each one links to the page where it was announced.

Artists at his level

6 peers. 0 markets between them.

The gap

138 markets they’ve played and he hasn’t.

This isn’t a forecast. It’s where his peers have already been. If a market has no listing for Jerro, we say so, rather than assume he’s never played it.

One room

Ritter Butzke, Berlin.

Three of his eight peers have played it. There are five listings on file.

What happens next

Save the room and work it.

It turns into a lead of your own, with a stage, a follow-up date and a history. Nothing goes out to anyone until you send it.

Prepare

In conversation

Booking

Closed

Ritter ButzkeResearch

Now try it on another artist ↓

01 Your turn

Pick a genre, then an artist.

White dots are where they’ve played. Red dots are rooms their closest peers have played and they haven’t, ranked the same way the app ranks them.

1 Research genre

2 Artist

3 Question

4 Refine

Recorded historyPeer-supported opening

The demo works on a preview set: the top-ranked rooms for each region, history and size setting. Rooms are ranked by how many different peers have played there, then by listings in the past two years, then by how recent they are. Genres aren’t mixed. A ranking is not a booking guarantee. The artists shown come from public listings and are not customers or endorsers.

Drag to spin · hover a market

Over the horizon

Your board

Now work the leads.

Anything you save in the demo lands in Prepare. Drag it across the four lanes the app uses. Nothing here sends an email. In the app, each card also holds contacts, fees, follow-ups and its history.

Next · 02The productThe globe you were just spinning is the app’s map. Watch it flatten out.

02.1 The product

The same map, inside the app.

Suleo Labs — Market map

02.2 Who it’s for

Who it’s built for

Find my next booking, ranked rooms for Jerro

The manager growing a new artist

“Where do we even start?”

Jerro has played 68 markets and has 138 open. The finder ranks 247 rooms by how many of his peers have played them, and names the promoters who put those shows on.

Market map with open, thin and return markets

The agent routing a run

“What fits between these two dates?”

Lane 8 · North America · 1,500–2,999 cap: 10 of the top-ranked rooms fit. Another 18 have no published capacity, so they’re marked unknown instead of being guessed into the list.

The team running a roster

“Who’s chasing what?”

59 artists, one board. Owner, editor and viewer roles. Each change is kept in the record’s history, and personal notes stay private.

02.3 Everything in it

Research and your own records are kept apart.

When we publish new research it can’t touch your notes, deals or finances.

Market map

Where they’ve played, and where their peers have.

Ranked on volume, breadth, promoters, recency and upcoming dates. The label guide explains the weighting.

Show archive

Listings, festivals, support slots and tours.

Sorted into past, today, ongoing and upcoming, using the dates as the source printed them.

Venues

Room size, as published.

Capacity is the venue’s own figure, not attendance. If it isn’t published, the room is marked unknown and won’t match a size filter.

ResearchReadyContactedRepliedHoldContractingConfirmedAdvancingSettled

Outreach & deals

Each lead has a stage, a history and a next step.

Saves can’t overwrite each other, the same room can’t be added twice, and the calendar and show-day plans live alongside.

Promoters

Who put on the show.

Promoter credits, with the listings they come from.

Agents & management

Agents and managers, kept separate.

Artist teams and company rosters, with territories and sources.

Social studio

Content, treated as work.

Accounts, ideas, drafts, review and posting deadlines in one pipeline.

Next · 03The researchWhere the numbers come from, and what we leave out.

03.1 The research

How a listing gets into the catalog.

We research the catalog one record at a time and check it against public sources. This is what happens to a listing before it counts.

1 · Found

Official pages first

Artist, venue and promoter pages come first, then independent public listings to corroborate them.

2 · Matched

Cross-checked

Artist, venue, city and date are matched across sources. If one source is missing a detail, it doesn’t wipe out what another one told us, and artists with the same name are kept apart.

3 · Audited

Kept, not counted

Cancelled, postponed, broadcast-only and duplicate records stay in the archive so we can check our work, but they’re left out of the totals.

264records kept for audit, never counted

4 · On the record

13,697

counted public listings across 59 artists, 772 mapped markets and 89 countries.

Research snapshot: 2026-09-21

We say “no recorded history”, not “never played there”.

A missing listing isn’t proof of anything. Where an archive is patchy the wording says so, and thin markets are labelled thin.

We say “capacity 1,200”, not “sold 1,200 tickets”.

Capacity is the room’s published figure for one layout. We don’t present it as attendance or as demand.

We don’t add follower counts together.

Audiences on different platforms overlap, and followers don’t tell you who will buy a ticket in a given city.

You can check any of it.

Each listing carries its source and the date we last checked it. Open any room in the demo to see the listings behind the number. In the app, each one opens its full record.

03.2 Before and after

What it replaces.

The same listings, in the spreadsheet and in the app. Drag the handle to compare.

tour_dates_FINAL_v7.xlsxSuleo Labs

Next · 04Get accessSee if your artist is in the catalog.

Is your artist in the catalog?

Type a name. If they’re in, you can run the demo on them. If not, you can ask us to add them.

04.1 How access works

Access is by request for now.

We’re working with a small group of managers and agents while the catalog grows. There’s no sign-up form to get through and no sales call. You ask, and one of us replies.

01
Ask
Search for your artist above. If they’re in the catalog, try the demo on them. Either way, send us a note saying who you work with.
02
We reply ourselves
We read each request. If your artist isn’t in the catalog yet, we research them first, so what you get is their history, not just a name on a list.
03
You get a workspace
The research is shared with everyone. Your notes, leads and deals live in your own workspace, on your own or with your team.

Who’s behind it

Suleo Labs is a small independent team. We do the research ourselves and we build the app around it.